Beirut’s vibrant art scene continues to reach new heights, bringing Lebanese talents to the forefront. Artist and gallerist Simon Mhanna is one such rising star, whose unique artworks have attracted the attention of international museums. In this exclusive interview, we learn more about Mhanna’s journey, his relationship with Lebanon and what makes LT Gallery, the art space he founded in Beirut, so special.
What can you tell us about your journey as a Lebanese artist?
Although I painted from a young age, I actually studied interior architecture. Deep down, I was passionate about art, so I decided to become a full-time artist. I continued my studies in art criticism and cinematography in Prague. At the same time, I was organizing exhibitions and displaying my work publicly. It was then that I decided to open LT Gallery, which stands for Lebanese Talents, dedicated to Lebanese art. The idea was to make Lebanese art more accessible and affordable. The concept was to showcase smaller artworks by established Lebanese artists that could be purchased by the average person. It was also a way for me to collect art I loved. Although we received some backlash from those who thought we were trivializing Lebanese art, it was applauded by others. Indeed, we had a sold-out show at the 2019 Beirut Art Fair, where we displayed 86 pieces of paper art. Subsequently, other galleries followed our lead.
Ultimately, we wanted to show the importance of paper works and show that they have value, just like canvases and paintings. Today, the gallery showcases works of all sizes by both established and emerging Lebanese artists, as well as a small selection of international pieces.
What has been the most memorable moment for you?
The most memorable moment was being selected for Salon d’Automne at the Sursock Museum. In my opinion, the Sursock Museum has remained the most interesting space Beirut. It houses paintings that I love by artists that I truly admire. So, being the youngest Lebanese artist to have their work on display there meant so much to me. Furthermore, to have my artworks exhibited in Switzerland and Czech Republic has been amazing. As an artist, receiving recognition from a museum is such a great honor.
One of this year’s highlights was “Endless Impulse,” a show in which I collaborated with Rafic Charaf — a true master of expressionism. We also partnered with a number of museums and galleries, including BEMA and Saleh Barakat Gallery, on the project. Indeed, it went beyond art to have a cultural impact.
How would you describe your art and what influences your creative output?
So many things inspire me. I am largely influenced by the human condition and human nature: life, people around me, situations… I also find Gothic and medieval architecture inspiring. Living in Europe fueled my intrigue, as I was surrounded by these themes; it is evident in my work.
I would say that my style is a blend of abstract and expressionism. I like to shock the audience by events that happen in our everyday lives that we try to block out. There is always a link between the audience and my work, and I try to initiate a conversation; dialog is important.
What makes you proud of the art scene in Lebanon?
The Lebanese art scene fascinates me, and I actually started a PhD in Lebanese art identity, which I intend to complete. It is my biggest passion and the greatest mystery.
This small country has always championed art and artists. It has opened a door for many to succeed on an international scale.
Why have you chosen to remain in the country?
I decided to stay because after the Beirut Port explosion and the economic crisis, someone had to. This country feeds me creatively. From the love stories and souvenirs to the people and the land, it is unlike anywhere else. How can one just leave and not give back? I decided to stay while having many tempting opportunities abroad. I choose to live here, because I believe we should rebuild our country.
What’s next for you?
The new LT Gallery art space is our most recent and exciting project. We have had a number of interesting exhibitions, and this summer we will be hosting several collective exhibitions. We look forward to welcoming everyone.